ANA MARIA MICU
  • Works
    • On canvas >
      • 2023 - >
        • engaging activities
        • an existing configuration
        • To Heal You
        • yet so poorly
        • the demolition
        • find a way to honor
        • endless growth
        • with impregnation
      • 2021 - 2022 >
        • daylight apertures
        • night after night
        • indoor and outdoor environment
        • for campers to share
        • lifetime educational
        • restraint and seclusion
        • blurry and like a
        • expansion joints
        • services due to
        • indoors during
        • Left Hand
        • Distant View
      • 2019 - 2020
      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Animations
    • Serigraphy
  • Projects
    • Shows >
      • The TWIST. Five Provincial Stories from an Empire
      • Ecologies of Care and Tending
      • Threat to The Eye
      • This Is Not an Artspace
      • Left Hand To Distant View
      • Studies for a Burning Silence
      • Unlimited Visuality
      • The Aftermath of a Losing Battle
      • The Artist’s Workshop
      • Flowing Light
      • The Poetic Realm
      • Objects Must Be Comfortable
      • 12 Years After
      • Speaking About the Unknown
      • A Picture on the Wall
      • Self-Portrait
      • ​​The Road Not Taken Ch. 2​
      • Self-portrait with Indoor Plant
      • Installing the Image
      • A Conscious Choice for Temporary Blindness
      • Tender Heart, Keep Still!
      • Understatement
    • Others >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Scenography for Painting
      • The Wall Watcher
      • Abstract Circle
      • Changing Background
      • How to Mend Unbroken Things
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Production as Tableau Vivant
      • Image Search
      • The Presentation
  • Publications
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
  • Art Fairs
    • Art Taipei 2023
    • Art Taipei 2022
    • Taipei Dangdai 2020
    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
  • CV
  • Contact
​​
THREAT TO THE EYE 
Artists |  Anca Bodea, Mathias Bar, Taisia Corbuț, Teodora Cosman, Felix Deac, Ana Maria Micu, Ada Muntean, Răzvan Neagoe
Curator | Ada Muntean 
​
​Opening | Saturday, 8 April 2023, 18:00
​Visiting schedule | 8 April - 7 May 2023
​Wednesday - Saturday 16:00 - 19:00
​Guided tour offered by the Indecis team | Saturday, 6 May 2025, starting at 17:00
The guided tour is part of the mediation program "What's up with contemporary art?" of the Indecis space and is supported by BRD-Groupe Société Générale.
Venue|Indecis artist-run space, Coriolan Brediceanu 2 St., ap.6 (intercom 08), Timișoara
www.instagram.com/indecisartistrun/
 
The concept of the Threat to The Eye exhibition starts from artist’s Barbara Kruger’s statement in the video „Barbara Kruger: in her own words”, in which she argues that her words represent a “threat to the eye”, because they change the viewer’s perceptions and stereotypes regarding their connection to reality as relation between object and the meaning given to it by mass culture. 
[Barbara Kruger: 
I think I have done a number of works which represent a threat to the eye. One of the reasons they’re powerful and effective is that they present a danger to our relationship to the seen world. I think that in a culture based on imagery and the collision of looking and being, the collision of narcissism and voyeurism, the eye is the major player. So, a threat to that eye is a threat to what it means to live another day.] 

Extrapolating the meaning that Barbara Kruger infuses to her artistic approach, contemporary art as a phenomenon can be regarded as a “threat to the eye”, due to its unpredictability and unfriendliness towards the viewer: it is not just a painting, it is not necessarily beautiful or put up on a wall. However, it can be all of that together and still become a “threat” to perception by subversively sending an antithetical message to the image it shows. 

Threat to The Eye is comprised of several artists with their own artistic approaches, operating on multiple visual media, both traditional and experimental, gravitating around antithetical notions that are not however, mutually exclusive: comfortable/ uncomfortable, beautiful/ appalling, open/ closed, inside/ outside, predictable/ unpredictable.
Threat to The Eye is also a nod to artist Victor Brauner’s premonitory work, Self-portrait with wounded eye, dating from 1931. Only a few years later, in 1938, he tragically loses an eye (the left to be precise) while trying to appease a dispute between painters Oscar Dominguez and Esteban Frances. 
In Self-portrait with wounded eye, the artist introduced into his work the concept of “the dissimilar as creative principle”, representing the rejection of mimetic art and the transfiguration of the exterior image (the mirrored image) into “a revelation of the inner world” – in the case of the self-portrait, a premonitory image. Victor Brauner would see the loss of his physical eye symbolically as a necessary sacrifice toward the fulfillment of creation and consequently the path to a particular view on painting. [1]

The ultimate stake of the project Threat to The Eye is questioning the perception of an artistic intervention and an artistic object’s ability to hold multiple meanings in regard to the reality it represents.

Ada Muntean
​
[1] PETROV, Mihaela, Victor Brauner – Ochiul pictorului. Accidentul din vara anului 1938, Dilema Veche no. 850 from 23rd – 29th of July 2020 

​my participation within the project
The Easy Way to Heal Yourself, 2021, stop motion animation with clay and light, 1m31s, 3840 x 2160 px, no audio
​Karma Speech, 2022, ​charcoal animation hand-drawn and erased on the same background, 14s loop, 3840 x 2160px, no audio
Picture
​Karma Speech, 2022, charcoal on paper, 35 x 50 cm.
  • Works
    • On canvas >
      • 2023 - >
        • engaging activities
        • an existing configuration
        • To Heal You
        • yet so poorly
        • the demolition
        • find a way to honor
        • endless growth
        • with impregnation
      • 2021 - 2022 >
        • daylight apertures
        • night after night
        • indoor and outdoor environment
        • for campers to share
        • lifetime educational
        • restraint and seclusion
        • blurry and like a
        • expansion joints
        • services due to
        • indoors during
        • Left Hand
        • Distant View
      • 2019 - 2020
      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Animations
    • Serigraphy
  • Projects
    • Shows >
      • The TWIST. Five Provincial Stories from an Empire
      • Ecologies of Care and Tending
      • Threat to The Eye
      • This Is Not an Artspace
      • Left Hand To Distant View
      • Studies for a Burning Silence
      • Unlimited Visuality
      • The Aftermath of a Losing Battle
      • The Artist’s Workshop
      • Flowing Light
      • The Poetic Realm
      • Objects Must Be Comfortable
      • 12 Years After
      • Speaking About the Unknown
      • A Picture on the Wall
      • Self-Portrait
      • ​​The Road Not Taken Ch. 2​
      • Self-portrait with Indoor Plant
      • Installing the Image
      • A Conscious Choice for Temporary Blindness
      • Tender Heart, Keep Still!
      • Understatement
    • Others >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Scenography for Painting
      • The Wall Watcher
      • Abstract Circle
      • Changing Background
      • How to Mend Unbroken Things
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Production as Tableau Vivant
      • Image Search
      • The Presentation
  • Publications
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
  • Art Fairs
    • Art Taipei 2023
    • Art Taipei 2022
    • Taipei Dangdai 2020
    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
  • CV
  • Contact