ANA MARIA MICU
Works
On canvas
>
2023 -
>
engaging activities
an existing configuration
To Heal You
yet so poorly
the demolition
find a way to honor
endless growth
with impregnation
2021 - 2022
>
daylight apertures
night after night
indoor and outdoor environment
for campers to share
lifetime educational
restraint and seclusion
blurry and like a
expansion joints
services due to
indoors during
Left Hand
Distant View
2019 - 2020
2017 - 2018
2015 - 2016
2011 - 2013
2009 - 2010
2007 - 2008
On Paper
>
2022
What Hurts the Most Is Left for Last
The Apprentice with no Sorcerer
Sketchbook
Animations
Serigraphy
Projects
Shows
>
The TWIST. Five Provincial Stories from an Empire
Ecologies of Care and Tending
Threat to The Eye
This Is Not an Artspace
Left Hand To Distant View
Studies for a Burning Silence
Unlimited Visuality
The Aftermath of a Losing Battle
The Artist’s Workshop
Flowing Light
The Poetic Realm
Objects Must Be Comfortable
12 Years After
Speaking About the Unknown
A Picture on the Wall
Self-Portrait
The Road Not Taken Ch. 2
Self-portrait with Indoor Plant
Installing the Image
A Conscious Choice for Temporary Blindness
Tender Heart, Keep Still!
Understatement
Others
>
The Insufficiency of Self
Can Serrat Art Residency
Scenography for Painting
The Wall Watcher
Abstract Circle
Changing Background
How to Mend Unbroken Things
Freehand Digital Drawing Documented by Real-time Video Screen Capturing
Production as Tableau Vivant
Image Search
The Presentation
Publications
Ana Maria Micu. Left Hand To Distant View
Ana Maria Micu
Art Fairs
Art Taipei 2023
Art Taipei 2022
Taipei Dangdai 2020
Art Fair Philippines 2020
Art Fair Philippines 2019
Art Düsseldorf 2018
CV
Contact
Works on canvas 2017 - 2018
Works
On canvas
>
2023 -
>
engaging activities
an existing configuration
To Heal You
yet so poorly
the demolition
find a way to honor
endless growth
with impregnation
2021 - 2022
>
daylight apertures
night after night
indoor and outdoor environment
for campers to share
lifetime educational
restraint and seclusion
blurry and like a
expansion joints
services due to
indoors during
Left Hand
Distant View
2019 - 2020
2017 - 2018
2015 - 2016
2011 - 2013
2009 - 2010
2007 - 2008
On Paper
>
2022
What Hurts the Most Is Left for Last
The Apprentice with no Sorcerer
Sketchbook
Animations
Serigraphy
Projects
Shows
>
The TWIST. Five Provincial Stories from an Empire
Ecologies of Care and Tending
Threat to The Eye
This Is Not an Artspace
Left Hand To Distant View
Studies for a Burning Silence
Unlimited Visuality
The Aftermath of a Losing Battle
The Artist’s Workshop
Flowing Light
The Poetic Realm
Objects Must Be Comfortable
12 Years After
Speaking About the Unknown
A Picture on the Wall
Self-Portrait
The Road Not Taken Ch. 2
Self-portrait with Indoor Plant
Installing the Image
A Conscious Choice for Temporary Blindness
Tender Heart, Keep Still!
Understatement
Others
>
The Insufficiency of Self
Can Serrat Art Residency
Scenography for Painting
The Wall Watcher
Abstract Circle
Changing Background
How to Mend Unbroken Things
Freehand Digital Drawing Documented by Real-time Video Screen Capturing
Production as Tableau Vivant
Image Search
The Presentation
Publications
Ana Maria Micu. Left Hand To Distant View
Ana Maria Micu
Art Fairs
Art Taipei 2023
Art Taipei 2022
Taipei Dangdai 2020
Art Fair Philippines 2020
Art Fair Philippines 2019
Art Düsseldorf 2018
CV
Contact
