ANA MARIA MICU
  • Works
    • On canvas >
      • 2025 - 2026
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      • 2021 - 2022
      • 2019 - 2020
      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2026
      • 2025
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Animations
    • Serigraphy
    • Videos
  • Projects
    • SOLO EXHIBITIONS >
      • The Persistence of Looking
      • Soul, Air, Animal
      • Woman, Scaffolding
      • This Is Not an Artspace
      • Left Hand To Distant View
      • Objects Must Be Comfortable
      • A Picture on the Wall
      • Self-portrait with Indoor Plant
      • Tender Heart, Keep Still!
    • DUO EXHIBITIONS >
      • Speaking About the Unknown
      • A Conscious Choice for Temporary Blindness
      • Understatement
      • Abstract Circle
    • COLLECTIVE EXHIBITIONS
    • Visiting Artist >
      • Visiting Artist at National Tsing Hua University
    • RESIDENCIES >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Production as Tableau Vivant
      • How to Mend Unbroken Things
    • OTHERS >
      • The Autonomous Master Archive
      • Eminescu Days
      • Scenography for Painting
      • The Wall Watcher
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Changing Background
      • Image Search
      • The Presentation
  • Publications
    • Touch Nature at /SAC Bucharest
    • Touch Nature
    • PULS 20 – New Entries in the MNAC Collection
    • THE TWIST. Five Provincial Stories from an Empire
    • The other face of the world
    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
  • Art Fairs
    • Frieze Seoul 2025
    • Art Basel Hong Kong 2025
    • Frieze Seoul 2024
    • Art Taipei 2023
    • Art Taipei 2022
    • Taipei Dangdai 2020
    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
  • CV
  • Contact
CEALALTĂ FAȚĂ A LUMII

Opening | Tuesday, May 5, 2026, from 6:00 p.m. at the Museum of Contemporary Art, 6 Tribunei Street, and from 7:00 p.m. at Brukenthal Palace, 4 Piața Mare
Dates | May 5 – 31, 2026
​Venue | Museum of Contemporary Art of the Brukenthal National Museum, 6 Tribunei Street, and Brukenthal Palace, 4 Piața Mare, Sibiu, Romania
Curator | Liviana Dan
Co-curator | Alexandra Runcan

Artists | Ana Maria Micu, Ioana Olăhuț, Anca Bodea, Mirela Moscu, Ioana Iacob, Anca Brânzaș, Oana Năstăsache, Andrea Tivadar, Roxana Ajder, Ioana Tocoaie

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ÎN CĂUTAREA NATURII ( The Pursuit of Nature)

Opening | April 17, 2026, at 6:00 p.m.
Dates | April 17 – June 7, 2026
​
Venue | The Art Museum of Brașov, 21 Eroilor Boulevard, Brașov, Romania
Curator | Valentina Iancu

Artists | Ion Andreescu, Emilia Apostolescu, Mihaela Cîmpeanu, Cecilia Cuțescu-Storck, Hans Eder, Micaela Eleutheriade, Nicolae Grigorescu, Uliana Gujuman, Hans Hermann, Karl Hübner, Hortensia Mi Kafchin, Gustav Kollár, Katja Lee Eliad, Irina Lukász, Rodica Maniu, Gabriela Mateescu, Hans Mattis-Teutsch, Andreea Medar, Friederich Miess, Ana Maria Micu, Ciprian Mureșan, Vlad Nancă, Irina Neacșu, Adrian Oncu, Sorin Oncu, Radu Oreian, Dan Perjovschi, Elena Popea, Mișu Popp, Alexandra Sand, Iulia Toma, Henri Trenk, Oana Paula Vainer, Miki Velciov

The exhibition brings together botanical-themed works from the collection of The Art Museum of Brașov and contemporary artworks, building a dialogue that highlights how nature has been represented and understood in art.
Structured into two sections, "wild nature" and "domestic nature", the exhibition traces transformations in the perception and representation of nature, moving from an object of admiration and contemplation to a space of human intervention marked by ecological crisis and environmental activism.
Within this context, nature no longer appears only as an artistic subject, but becomes a space for critical reflection on our relationship with the environment.

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THE AUTONOMOUS MASTER ARCHIVE: A LOW-DEPENDENCY ECOSYSTEM 
​
Concept, intuitive prompt engineering, and testing: Ana Maria Micu
Code: Gemini 3, under a Google AI Pro subscription
License: GNU GPL v3
Date: April 2026

This package is designed for the long-term administration of extensive artwork databases, such as a catalogue raisonné comprising hundreds of records. It is highly applicable if you are solely responsible for managing diverse communication formats regarding these works, including editable text-and-image documents, static web deployments, and automatically generated PDFs.

Conceived as an autonomous architectural framework, the kit is distributed independently of its software dependencies, requiring active integration by the user. Optimized for a Windows environment, the system relies on a precise constellation of free, open-source, and proprietary freeware tools: Chromium (or Google Chrome) to execute the local JavaScript compiler, LibreOffice to manage the data matrices and render native OpenDocument formats, and the Java Runtime Environment to process the underlying XML architecture. To achieve the artwork’s conceptual goal of absolute portability and hardware resilience, the entire ecosystem is designed to be housed on an external drive alongside localized, portable iterations of these applications, ensuring the archive remains permanently self-contained and ready for execution across distinct machines.

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BOOK LAUNCH “Touch Nature at /SAC Bucharest”

Book Launch | April 16, 2026, at 6:00 p.m.
Venue | Cărturești Modul, Academiei 18-20 Street, Bucharest, Romania
Event Language | English
Guest Speakers | Victor Bartiș (book design), Justin Baroncea & Maria Ghement (exhibition design), Sabine Fellner & Alex Radu (exhibition co-curators) and Judith Wagner (artist in the exhibition)

Book Specifications | Paperback, 244 pages, 21.5 x 28 cm, English language
Texts | Sabine Fellner, Alex Radu, Justin Baroncea, Maria Ghement, the artists from the 2024 exhibition "Touch Nature" at /SAC Bucharest
Coordinating editor | Alex Radu
Book design & image curator | Victor Bartiș
Translation & editing | Cristina Ginara, Anne Marie Lolea, Lidia Dobrea, Andreea Chircă
Exhibition and editorial project managers | Anne Marie Lolea, Andreea Chircă, Lidia Dobrea
Photographs by | Adi Bulboacă, Ana Maria Micu, Elena Maxemciuc, Horia Manolache, Lavinia Cioacă, New Folder Studio
ISBN | 978-606-980-276-2
Publishers | /SAC & Editura Vellant, 2026
Supported by | Romanian Order of Architects (OAR) through its architecture grant, Vellant Publishing, Austrian Cultural Forum (for the exhibition, book, and launch)
Pre-order link | https://www.vellant.ro/carte/touch-nature-sac-bucharest-4819691020
​
"Touch Nature @ /SAC Bucharest" Exhibition details (2024, /SAC Berthelot and Malmaison, Bucharest, Romania)
Curators | Sabine Fellner & Alex Radu
Artists | Uli Aigner, Matei Bejenaru, Floriama Candea, Codruța Cernea, Adriana Chiruta, Ciprian Ciuclea, Larisa Crunțeanu, Anna Dumitriu & Alex May, Michael Endlicher, Thomas Feuerstein, Peter Hauenschild, Barbara Anna Husar, Nona Inescu, Kitty Kino, Aurora Kiraly, Alexandra Kontriner, Ana Maria Micu, Nicoleta Mureș, Klaus Pichler, Monika Pichler, PRINZpod, Oliver Ressler, Gregor Sailer, Elisabeth von Samsonow, Hans Schabus, Ramona Schnekenburger, Marielis Seyler, Paul Spendier, Oana Stanciu, Mircea Suciu, Dan Vezentan, Judith Wagner, Nives Widauer, Laurent Ziegler.
Exhibition design | Justin Baroncea & Maria Ghement
Exhibition graphic design | Irina Radu, Justin Baroncea, Maria Ghement
Set-design production | Atelier SET
/SAC team | Andreea Chircă, Iulian Cristea, Lidia Dobrea, Anne Marie Lolea, Elena Maxemciuc
Exhibition Supported by | Austrian Cultural Forum, Ministry of European and International Affairs of the Republic of Austria

go to project ⮕
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  • Works
    • On canvas >
      • 2025 - 2026
      • 2023 - 2024
      • 2021 - 2022
      • 2019 - 2020
      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2026
      • 2025
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Animations
    • Serigraphy
    • Videos
  • Projects
    • SOLO EXHIBITIONS >
      • The Persistence of Looking
      • Soul, Air, Animal
      • Woman, Scaffolding
      • This Is Not an Artspace
      • Left Hand To Distant View
      • Objects Must Be Comfortable
      • A Picture on the Wall
      • Self-portrait with Indoor Plant
      • Tender Heart, Keep Still!
    • DUO EXHIBITIONS >
      • Speaking About the Unknown
      • A Conscious Choice for Temporary Blindness
      • Understatement
      • Abstract Circle
    • COLLECTIVE EXHIBITIONS
    • Visiting Artist >
      • Visiting Artist at National Tsing Hua University
    • RESIDENCIES >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Production as Tableau Vivant
      • How to Mend Unbroken Things
    • OTHERS >
      • The Autonomous Master Archive
      • Eminescu Days
      • Scenography for Painting
      • The Wall Watcher
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Changing Background
      • Image Search
      • The Presentation
  • Publications
    • Touch Nature at /SAC Bucharest
    • Touch Nature
    • PULS 20 – New Entries in the MNAC Collection
    • THE TWIST. Five Provincial Stories from an Empire
    • The other face of the world
    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
  • Art Fairs
    • Frieze Seoul 2025
    • Art Basel Hong Kong 2025
    • Frieze Seoul 2024
    • Art Taipei 2023
    • Art Taipei 2022
    • Taipei Dangdai 2020
    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
  • CV
  • Contact