ANA MARIA MICU
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      • 2026
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      • What Hurts the Most Is Left for Last
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    • SOLO EXHIBITIONS >
      • The Persistence of Looking
      • Soul, Air, Animal
      • Woman, Scaffolding
      • This Is Not an Artspace
      • Left Hand To Distant View
      • Objects Must Be Comfortable
      • A Picture on the Wall
      • Self-portrait with Indoor Plant
      • Tender Heart, Keep Still!
    • DUO EXHIBITIONS >
      • Speaking About the Unknown
      • A Conscious Choice for Temporary Blindness
      • Understatement
      • Abstract Circle
    • COLLECTIVE EXHIBITIONS
    • Visiting Artist >
      • Visiting Artist at National Tsing Hua University
    • RESIDENCIES >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Production as Tableau Vivant
      • How to Mend Unbroken Things
    • OTHERS >
      • The Autonomous Master Archive
      • Eminescu Days
      • Scenography for Painting
      • The Wall Watcher
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Changing Background
      • Image Search
      • The Presentation
  • Publications
    • Touch Nature
    • PULS 20 – New Entries in the MNAC Collection
    • THE TWIST. Five Provincial Stories from an Empire
    • The other face of the world
    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
  • Art Fairs
    • Frieze Seoul 2025
    • Art Basel Hong Kong 2025
    • Frieze Seoul 2024
    • Art Taipei 2023
    • Art Taipei 2022
    • Taipei Dangdai 2020
    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
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ÎN CĂUTAREA NATURII ( The Pursuit of Nature)

Opening | April 17, 2026, at 6:00 p.m.
Dates | April 17 – June 7, 2026
​
Venue | The Art Museum of Brașov, 21 Eroilor Boulevard, Brașov, Romania
Curator | Valentina Iancu

Contemporary Artists | Mihaela Cîmpeanu, Uliana Gujuman, Katja Lee Eliad, Gabriela Mateescu, Andreea Medar, Hortensia Mi Kafchin, Ana Maria Micu, Ciprian Mureșan, Vlad Nancă, Irina Neacșu, Adrian Oncu, Sorin Oncu, Radu Oreian, Alexandra Sand, Iulia Toma, Oana Paula Vainer, Miki Velciov.

Artists from the collection of The Art Museum of Brașov | Ion Andreescu, Emilia Apostolescu, Cecilia Cuțescu-Storck, Hans Eder, Micaela Eleutheriade, Alexandrina Gheție, Nicolae Grigorescu, Hans Hermann, Karl Hübner, Wilhelm Kamner, Gustav Kollar, Irina Lukász, Rodica Maniu, Hans Mattis-Teutsch, Friederich Miess, Elena Popea, Mișu Popp, Henri Trenk.

The exhibition brings together botanical-themed works from the collection of The Art Museum of Brașov and contemporary artworks, building a dialogue that highlights how nature has been represented and understood in art.
Structured into two sections, "wild nature" and "domestic nature", the exhibition traces transformations in the perception and representation of nature, moving from an object of admiration and contemplation to a space of human intervention marked by ecological crisis and environmental activism.
Within this context, nature no longer appears only as an artistic subject, but becomes a space for critical reflection on our relationship with the environment.

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THE AUTONOMOUS MASTER ARCHIVE: A LOW-DEPENDENCY ECOSYSTEM 
​
Concept, intuitive prompt engineering, and testing: Ana Maria Micu
Code: Gemini 3, under a Google AI Pro subscription
License: GNU GPL v3
Date: April 2026

This package is designed for the long-term administration of extensive artwork databases, such as a catalogue raisonné comprising hundreds of records. It is highly applicable if you are solely responsible for managing diverse communication formats regarding these works, including editable text-and-image documents, static web deployments, and automatically generated PDFs.

Conceived as an autonomous architectural framework, the kit is distributed independently of its software dependencies, requiring active integration by the user. Optimized for a Windows environment, the system relies on a precise constellation of free, open-source, and proprietary freeware tools: Chromium (or Google Chrome) to execute the local JavaScript compiler, LibreOffice to manage the data matrices and render native OpenDocument formats, and the Java Runtime Environment to process the underlying XML architecture. To achieve the artwork’s conceptual goal of absolute portability and hardware resilience, the entire ecosystem is designed to be housed on an external drive alongside localized, portable iterations of these applications, ensuring the archive remains permanently self-contained and ready for execution across distinct machines.

​​go to project ⮕
Picture
  • Works
    • On canvas >
      • 2025 - 2026
      • 2023 - 2024
      • 2021 - 2022
      • 2019 - 2020
      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2026
      • 2025
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Animations
    • Serigraphy
    • Videos
  • Projects
    • SOLO EXHIBITIONS >
      • The Persistence of Looking
      • Soul, Air, Animal
      • Woman, Scaffolding
      • This Is Not an Artspace
      • Left Hand To Distant View
      • Objects Must Be Comfortable
      • A Picture on the Wall
      • Self-portrait with Indoor Plant
      • Tender Heart, Keep Still!
    • DUO EXHIBITIONS >
      • Speaking About the Unknown
      • A Conscious Choice for Temporary Blindness
      • Understatement
      • Abstract Circle
    • COLLECTIVE EXHIBITIONS
    • Visiting Artist >
      • Visiting Artist at National Tsing Hua University
    • RESIDENCIES >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Production as Tableau Vivant
      • How to Mend Unbroken Things
    • OTHERS >
      • The Autonomous Master Archive
      • Eminescu Days
      • Scenography for Painting
      • The Wall Watcher
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Changing Background
      • Image Search
      • The Presentation
  • Publications
    • Touch Nature
    • PULS 20 – New Entries in the MNAC Collection
    • THE TWIST. Five Provincial Stories from an Empire
    • The other face of the world
    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
  • Art Fairs
    • Frieze Seoul 2025
    • Art Basel Hong Kong 2025
    • Frieze Seoul 2024
    • Art Taipei 2023
    • Art Taipei 2022
    • Taipei Dangdai 2020
    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
  • CV
  • Contact