ANA MARIA MICU
  • Works
    • On canvas >
      • 2021 - 2022
      • 2019 - 2020
      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Stop Motion Animations
    • Serigraphy
  • Projects
    • Shows >
      • Flowing Light
      • The Poetic Realm
      • Objects Must Be Comfortable
      • 12 Years After
      • Speaking About the Unknown
      • A Picture on the Wall
      • Art Düsseldorf
      • Self-Portrait
      • ​​The Road Not Taken Ch. 2​
      • Self-portrait with Indoor Plant
      • Installing the Image
      • A Conscious Choice for Temporary Blindness
      • Tender Heart, Keep Still!
      • Understatement
    • Others >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Homemade Cure for Digital Spleen
      • Scenography for Painting
      • The Wall Watcher
      • Abstract Circle
      • Changing Background
      • How to Mend Unbroken Things
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Production as Tableau Vivant
      • Image Search
      • The Presentation
  • Publication
  • CV
  • Contact
CHANGING BACKGROUND

​I did these two works during the project "How to Mend Unbroken Things" within an artist-in-residence program at my art in Vienna between  20 August - 2 September 2014.

Practicing the concept of creating a new context for finished paintings, I produced these slideshows as stand alone art forms that are meant for online display. The area of the painting is kept as fixed as possible, while the background constantly changes due to the progression of the drawing in white markings that grow around it, re-positions, various light effects, chance and passing of time.

Sensitivity ..... purely temporal terms, 2014, slideshow of 81 photographs, 3906 x 2601 pixels each


upon the stage, ...... but the judge and, 2014, slideshow of 72 photographs, 4380 x 2940 pixels each

  • Works
    • On canvas >
      • 2021 - 2022
      • 2019 - 2020
      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Stop Motion Animations
    • Serigraphy
  • Projects
    • Shows >
      • Flowing Light
      • The Poetic Realm
      • Objects Must Be Comfortable
      • 12 Years After
      • Speaking About the Unknown
      • A Picture on the Wall
      • Art Düsseldorf
      • Self-Portrait
      • ​​The Road Not Taken Ch. 2​
      • Self-portrait with Indoor Plant
      • Installing the Image
      • A Conscious Choice for Temporary Blindness
      • Tender Heart, Keep Still!
      • Understatement
    • Others >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Homemade Cure for Digital Spleen
      • Scenography for Painting
      • The Wall Watcher
      • Abstract Circle
      • Changing Background
      • How to Mend Unbroken Things
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Production as Tableau Vivant
      • Image Search
      • The Presentation
  • Publication
  • CV
  • Contact