ANA MARIA MICU
Works
On canvas
>
2023 - 2024
2021 - 2022
2019 - 2020
2017 - 2018
2015 - 2016
2011 - 2013
2009 - 2010
2007 - 2008
On Paper
>
2022
What Hurts the Most Is Left for Last
The Apprentice with no Sorcerer
Sketchbook
Animations
Serigraphy
Projects
SOLO EXHIBITIONS
>
Woman, Scaffolding
This Is Not an Artspace
Left Hand To Distant View
Objects Must Be Comfortable
A Picture on the Wall
Self-portrait with Indoor Plant
Tender Heart, Keep Still!
DUO EXHIBITIONS
>
Speaking About the Unknown
A Conscious Choice for Temporary Blindness
Understatement
Abstract Circle
COLLECTIVE EXHIBITIONS
>
Observator
The TWIST. Failing Empires, Triumphant Provinces
Eternity As Attempt
Egologia
Touch Nature
The TWIST. Five Provincial Stories from an Empire
The Ecologies of Care and Caring
Threat to The Eye
Studies for a Burning Silence
Unlimited Visuality
The Aftermath of a Losing Battle
The Artist’s Workshop
Flowing Light
The Poetic Realm
12 Years After
Self-Portrait
The Road Not Taken Ch. 2
Installing the Image
Visiting Artist
>
Visiting Artist at National Tsing Hua University
RESIDENCIES
>
The Insufficiency of Self
Can Serrat Art Residency
Production as Tableau Vivant
How to Mend Unbroken Things
OTHERS
>
Scenography for Painting
The Wall Watcher
Freehand Digital Drawing Documented by Real-time Video Screen Capturing
Changing Background
Image Search
The Presentation
Publications
PULS 20 – New Entries in the MNAC Collection
THE TWIST. Five Provincial Stories from an Empire
The other face of the world
(c)ovid's metamorphoses
Ana Maria Micu. Left Hand To Distant View
Ana Maria Micu
500 Portraits
Art Fairs
Frieze Seoul 2024
Art Taipei 2023
Art Taipei 2022
Taipei Dangdai 2020
Art Fair Philippines 2020
Art Fair Philippines 2019
Art Düsseldorf 2018
CV
Contact
engaging activities, ... Back to All NightCrawler, 2023, charcoal on toned canvas, 150 x 175 cm.
go back to Works on canvas 2023 - 2024 ⮕
Works
On canvas
>
2023 - 2024
2021 - 2022
2019 - 2020
2017 - 2018
2015 - 2016
2011 - 2013
2009 - 2010
2007 - 2008
On Paper
>
2022
What Hurts the Most Is Left for Last
The Apprentice with no Sorcerer
Sketchbook
Animations
Serigraphy
Projects
SOLO EXHIBITIONS
>
Woman, Scaffolding
This Is Not an Artspace
Left Hand To Distant View
Objects Must Be Comfortable
A Picture on the Wall
Self-portrait with Indoor Plant
Tender Heart, Keep Still!
DUO EXHIBITIONS
>
Speaking About the Unknown
A Conscious Choice for Temporary Blindness
Understatement
Abstract Circle
COLLECTIVE EXHIBITIONS
>
Observator
The TWIST. Failing Empires, Triumphant Provinces
Eternity As Attempt
Egologia
Touch Nature
The TWIST. Five Provincial Stories from an Empire
The Ecologies of Care and Caring
Threat to The Eye
Studies for a Burning Silence
Unlimited Visuality
The Aftermath of a Losing Battle
The Artist’s Workshop
Flowing Light
The Poetic Realm
12 Years After
Self-Portrait
The Road Not Taken Ch. 2
Installing the Image
Visiting Artist
>
Visiting Artist at National Tsing Hua University
RESIDENCIES
>
The Insufficiency of Self
Can Serrat Art Residency
Production as Tableau Vivant
How to Mend Unbroken Things
OTHERS
>
Scenography for Painting
The Wall Watcher
Freehand Digital Drawing Documented by Real-time Video Screen Capturing
Changing Background
Image Search
The Presentation
Publications
PULS 20 – New Entries in the MNAC Collection
THE TWIST. Five Provincial Stories from an Empire
The other face of the world
(c)ovid's metamorphoses
Ana Maria Micu. Left Hand To Distant View
Ana Maria Micu
500 Portraits
Art Fairs
Frieze Seoul 2024
Art Taipei 2023
Art Taipei 2022
Taipei Dangdai 2020
Art Fair Philippines 2020
Art Fair Philippines 2019
Art Düsseldorf 2018
CV
Contact