ANA MARIA MICU
  • Works
    • On canvas >
      • 2025
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      • 2021 - 2022
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      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2026
      • 2025
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Animations
    • Serigraphy
    • Videos
  • Projects
    • SOLO EXHIBITIONS >
      • The Persistence of Looking
      • Soul, Air, Animal
      • Woman, Scaffolding
      • This Is Not an Artspace
      • Left Hand To Distant View
      • Objects Must Be Comfortable
      • A Picture on the Wall
      • Self-portrait with Indoor Plant
      • Tender Heart, Keep Still!
    • DUO EXHIBITIONS >
      • Speaking About the Unknown
      • A Conscious Choice for Temporary Blindness
      • Understatement
      • Abstract Circle
    • COLLECTIVE EXHIBITIONS
    • Visiting Artist >
      • Visiting Artist at National Tsing Hua University
    • RESIDENCIES >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Production as Tableau Vivant
      • How to Mend Unbroken Things
    • OTHERS >
      • Eminescu Days
      • Scenography for Painting
      • The Wall Watcher
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Changing Background
      • Image Search
      • The Presentation
  • Publications
    • Touch Nature
    • PULS 20 – New Entries in the MNAC Collection
    • THE TWIST. Five Provincial Stories from an Empire
    • The other face of the world
    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
  • Art Fairs
    • Frieze Seoul 2025
    • Art Basel Hong Kong 2025
    • Frieze Seoul 2024
    • Art Taipei 2023
    • Art Taipei 2022
    • Taipei Dangdai 2020
    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
  • CV
  • Contact
​UNTITLED
animation made with charcoal and chalk, observational hand-drawn and erased on 3 backgrounds | 36s | 3840 x 2160 px | 110 stills | no audio | 2022

​1 AP from Edition: 3 + 2 AP
 
"I loved this animation for the manner in which it addressed the questions that naturally appeared as I was discovering the artworks in the main room at first – how did the artist manage to climb up there as she was working on the two paintings featured in the exhibition or how are the plants that grace the studio being taken care of. What I also found incredibly interesting is that revealing some of the stages that go into her method in this manner did not make the character come across as the main focus – I saw it as a synergy between the artist and the environment she created and in which her practice thrives."
Maria Mănăilă, Ana Maria Micu – Left Hand to Distant View, Contemporary Art Friday, 14 April 2023

​EXHIBITION HISTORY
2022 solo show Left Hand To Distant View, curated by Simona Vilău, The National Museum of Contemporary Art, Bucharest, RO
  • Works
    • On canvas >
      • 2025
      • 2023 - 2024
      • 2021 - 2022
      • 2019 - 2020
      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2026
      • 2025
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Animations
    • Serigraphy
    • Videos
  • Projects
    • SOLO EXHIBITIONS >
      • The Persistence of Looking
      • Soul, Air, Animal
      • Woman, Scaffolding
      • This Is Not an Artspace
      • Left Hand To Distant View
      • Objects Must Be Comfortable
      • A Picture on the Wall
      • Self-portrait with Indoor Plant
      • Tender Heart, Keep Still!
    • DUO EXHIBITIONS >
      • Speaking About the Unknown
      • A Conscious Choice for Temporary Blindness
      • Understatement
      • Abstract Circle
    • COLLECTIVE EXHIBITIONS
    • Visiting Artist >
      • Visiting Artist at National Tsing Hua University
    • RESIDENCIES >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Production as Tableau Vivant
      • How to Mend Unbroken Things
    • OTHERS >
      • Eminescu Days
      • Scenography for Painting
      • The Wall Watcher
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Changing Background
      • Image Search
      • The Presentation
  • Publications
    • Touch Nature
    • PULS 20 – New Entries in the MNAC Collection
    • THE TWIST. Five Provincial Stories from an Empire
    • The other face of the world
    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
  • Art Fairs
    • Frieze Seoul 2025
    • Art Basel Hong Kong 2025
    • Frieze Seoul 2024
    • Art Taipei 2023
    • Art Taipei 2022
    • Taipei Dangdai 2020
    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
  • CV
  • Contact