ANA MARIA MICU
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      • The Persistence of Looking
      • Soul, Air, Animal
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      • Self-portrait with Indoor Plant
      • Tender Heart, Keep Still!
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      • Speaking About the Unknown
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      • The Insufficiency of Self
      • ​Can Serrat Art Residency
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      • How to Mend Unbroken Things
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      • Eminescu Days
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      • The Wall Watcher
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
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  • Publications
    • Touch Nature
    • PULS 20 – New Entries in the MNAC Collection
    • THE TWIST. Five Provincial Stories from an Empire
    • The other face of the world
    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
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    • Frieze Seoul 2025
    • Art Basel Hong Kong 2025
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    • Art Fair Philippines 2020
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weather and communication ... The elevated, 2025, video and painting installation

​The video recording is employed to objectively collect unconscious mannerisms exhibited during gardening activities on an apartment balcony. The action entails the repositioning of a pot to a location that is closer to the wall than its original position. This adjustment is made with the objective of optimizing the utilization of the available space. The pot was secured with some strings, which are untied and then tied again. The painted image captures a spontaneous gesture, an unconventional position that appears to exert almost occult forces to maintain a separation between two distinct realms: the urban landscape and the domestic interior. The centrally located plants are the ones that contribute to generating potentiality.
EXHIBITION HISTORY
2025 group show Nature after Nature, curators Ileana Pintilie, Cristian Nae și Raluca Oancea, Garrison Command, Timișoara, RO
Picture
​​weather and communication ... The elevated, 2025, acrylic on linen, 87 x 155 cm.
Picture
​​​weather and communication ... The elevated, 2025, detail
weather and communication ... The elevated, 2025, video with sound, 1920 x 1080 px., 9m10s
go back to ​​Works on canvas 2025 ⮕
  • Works
    • On canvas >
      • 2025
      • 2023 - 2024
      • 2021 - 2022
      • 2019 - 2020
      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2026
      • 2025
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Animations
    • Serigraphy
    • Videos
  • Projects
    • SOLO EXHIBITIONS >
      • The Persistence of Looking
      • Soul, Air, Animal
      • Woman, Scaffolding
      • This Is Not an Artspace
      • Left Hand To Distant View
      • Objects Must Be Comfortable
      • A Picture on the Wall
      • Self-portrait with Indoor Plant
      • Tender Heart, Keep Still!
    • DUO EXHIBITIONS >
      • Speaking About the Unknown
      • A Conscious Choice for Temporary Blindness
      • Understatement
      • Abstract Circle
    • COLLECTIVE EXHIBITIONS
    • Visiting Artist >
      • Visiting Artist at National Tsing Hua University
    • RESIDENCIES >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Production as Tableau Vivant
      • How to Mend Unbroken Things
    • OTHERS >
      • Eminescu Days
      • Scenography for Painting
      • The Wall Watcher
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Changing Background
      • Image Search
      • The Presentation
  • Publications
    • Touch Nature
    • PULS 20 – New Entries in the MNAC Collection
    • THE TWIST. Five Provincial Stories from an Empire
    • The other face of the world
    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
  • Art Fairs
    • Frieze Seoul 2025
    • Art Basel Hong Kong 2025
    • Frieze Seoul 2024
    • Art Taipei 2023
    • Art Taipei 2022
    • Taipei Dangdai 2020
    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
  • CV
  • Contact