ANA MARIA MICU
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    • SOLO EXHIBITIONS >
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      • A Picture on the Wall
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      • Tender Heart, Keep Still!
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      • Speaking About the Unknown
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      • Understatement
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      • Visiting Artist at National Tsing Hua University
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      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Production as Tableau Vivant
      • How to Mend Unbroken Things
    • OTHERS >
      • The Autonomous Master Archive
      • Eminescu Days
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      • The Wall Watcher
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      • Changing Background
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  • Publications
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    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
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The Autonomous Master Archive: A Low-Dependency Ecosystem
​
Concept, intuitive prompt engineering, and testing: Ana Maria Micu
Code: Gemini 3, under a Google AI Pro subscription
License: GNU GPL v3
Date: April 2026

Click to download Autonomous_Archive_v1.0.0_2026-04.zip 15.2 MB

This package is designed for the long-term administration of extensive artwork databases, such as a catalogue raisonné comprising hundreds of records. It is highly applicable if you are solely responsible for managing diverse communication formats regarding these works, including editable text-and-image documents, static web deployments, and automatically generated PDFs.

Conceived as an autonomous architectural framework, the kit is distributed independently of its software dependencies, requiring active integration by the user. Optimized for a Windows environment, the system relies on a precise constellation of free, open-source, and proprietary freeware tools: Chromium (or Google Chrome) to execute the local JavaScript compiler, LibreOffice to manage the data matrices and render native OpenDocument formats, and the Java Runtime Environment to process the underlying XML architecture. To achieve the artwork’s conceptual goal of absolute portability and hardware resilience, the entire ecosystem is designed to be housed on an external drive alongside localized, portable iterations of these applications, ensuring the archive remains permanently self-contained and ready for execution across distinct machines.

Distributed as an explanatory scaffold, the architecture requires deliberate reconfiguration to become operational. The user must manually redefine the absolute file paths, marked in red, within the primary .ods matrix to map onto their specific local hardware. The initial directory setup and placeholder assets serve strictly as a structural blueprint, designed to be entirely overwritten and populated by the user’s personal archival records and localized media.

Functioning simultaneously as a digital artwork and a survival protocol, this framework is an autonomous, zero-dependency ecosystem built for archival longevity. By operating entirely offline and rejecting cloud servers, relational databases, and subscription models, the system achieves permanent immunity to software obsolescence. The underlying architecture relies exclusively on raw web standards (HTML, CSS, JavaScript) and native OpenDocument XML (.fodt), structurally separating public web deployment from private studio management through mathematically strict CSV data matrices. The distribution contains two primary processing modules: a local, serverless Web Deployment Compiler that reads authorized data tags to generate a fully linked, static HTML website while automating local media extraction, and a Private Editor utility that bypasses privacy locks to facilitate studio management, visual verification, and the generation of unredacted physical printouts or LibreOffice documents.

Because the system operates mathematically on flat files, it demands absolute structural discipline. Execution requires Chromium or Google Chrome, strict UTF-8 .csv formatting, and precise nomenclature using absolute file paths to properly map visual assets; any deviation in syntax will result in system failure. Integrating failsafes such as a localized Python execution protocol against future operating system restrictions, the architecture is distributed as-is. It serves as an open-source foundation for other artists and researchers to study, dismantle, modify, and rebuild for their own long-term data retention needs.
  • Works
    • On canvas >
      • 2025 - 2026
      • 2023 - 2024
      • 2021 - 2022
      • 2019 - 2020
      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2026
      • 2025
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Animations
    • Serigraphy
    • Videos
  • Projects
    • SOLO EXHIBITIONS >
      • The Persistence of Looking
      • Soul, Air, Animal
      • Woman, Scaffolding
      • This Is Not an Artspace
      • Left Hand To Distant View
      • Objects Must Be Comfortable
      • A Picture on the Wall
      • Self-portrait with Indoor Plant
      • Tender Heart, Keep Still!
    • DUO EXHIBITIONS >
      • Speaking About the Unknown
      • A Conscious Choice for Temporary Blindness
      • Understatement
      • Abstract Circle
    • COLLECTIVE EXHIBITIONS
    • Visiting Artist >
      • Visiting Artist at National Tsing Hua University
    • RESIDENCIES >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Production as Tableau Vivant
      • How to Mend Unbroken Things
    • OTHERS >
      • The Autonomous Master Archive
      • Eminescu Days
      • Scenography for Painting
      • The Wall Watcher
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Changing Background
      • Image Search
      • The Presentation
  • Publications
    • Touch Nature
    • PULS 20 – New Entries in the MNAC Collection
    • THE TWIST. Five Provincial Stories from an Empire
    • The other face of the world
    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
  • Art Fairs
    • Frieze Seoul 2025
    • Art Basel Hong Kong 2025
    • Frieze Seoul 2024
    • Art Taipei 2023
    • Art Taipei 2022
    • Taipei Dangdai 2020
    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
  • CV
  • Contact