ANA MARIA MICU
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      • What Hurts the Most Is Left for Last
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    • SOLO EXHIBITIONS >
      • Soul, Air, Animal
      • Woman, Scaffolding
      • This Is Not an Artspace
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      • Self-portrait with Indoor Plant
      • Tender Heart, Keep Still!
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      • Speaking About the Unknown
      • A Conscious Choice for Temporary Blindness
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      • Visiting Artist at National Tsing Hua University
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      • The Insufficiency of Self
      • ​Can Serrat Art Residency
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      • How to Mend Unbroken Things
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      • Eminescu Days
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  • Publications
    • Touch Nature
    • PULS 20 – New Entries in the MNAC Collection
    • THE TWIST. Five Provincial Stories from an Empire
    • The other face of the world
    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
  • Art Fairs
    • Art Basel Hong Kong 2025
    • Frieze Seoul 2024
    • Art Taipei 2023
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    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
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​endless growth. ... believing that hope can be dredged from ruin, 2023, video with sound, 1920 x 1080 px.,1h38m

This video is about the action of allocating some of the limited space I have at my disposal, on the windowsills of my third-floor apartment, to a container that I filled only with compost from the bin I keep on the balcony. I wanted to facilitate, in parallel with my main gardening activities where I focus on edible plants, the spontaneous emergence and unrestricted development of volunteer plants resulting from seeds preserved in the soil or coming from my kitchen's scraps. 
The key moments of this performance are mingled in the video work, just as they occurred, with some other activities, listed chronologically, but randomly selected, that I had to carry out during the growing season. I gave this experiment enough time for significant vegetation to appear and it is captured as such in a painting. The video presents one more final scene, with the plants at a mature stage, as they have been relocated indoors for a while, due to events related to a severe storm.
​​EXHIBITION HISTORY
2024 solo show Woman, Scaffolding, Mind Set Art Center, Taipei, TW​
2023 group show Ecologiile grijii și îngrijirii. Capitolul 1: Plante utile, collaboratively curated by Gabriela Mateescu, together with researchers Mihaela Georgescu (Botany), Valentina Iancu (Visual Arts), Eliza Yokina (Architecture), Strata Gallery, Bucharest, RO
  • Works
    • On canvas >
      • 2025
      • 2023 - 2024
      • 2021 - 2022
      • 2019 - 2020
      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2025
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Animations
    • Serigraphy
    • Videos
  • Projects
    • SOLO EXHIBITIONS >
      • Soul, Air, Animal
      • Woman, Scaffolding
      • This Is Not an Artspace
      • Left Hand To Distant View
      • Objects Must Be Comfortable
      • A Picture on the Wall
      • Self-portrait with Indoor Plant
      • Tender Heart, Keep Still!
    • DUO EXHIBITIONS >
      • Speaking About the Unknown
      • A Conscious Choice for Temporary Blindness
      • Understatement
      • Abstract Circle
    • COLLECTIVE EXHIBITIONS
    • Visiting Artist >
      • Visiting Artist at National Tsing Hua University
    • RESIDENCIES >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Production as Tableau Vivant
      • How to Mend Unbroken Things
    • OTHERS >
      • Eminescu Days
      • Scenography for Painting
      • The Wall Watcher
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Changing Background
      • Image Search
      • The Presentation
  • Publications
    • Touch Nature
    • PULS 20 – New Entries in the MNAC Collection
    • THE TWIST. Five Provincial Stories from an Empire
    • The other face of the world
    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
  • Art Fairs
    • Art Basel Hong Kong 2025
    • Frieze Seoul 2024
    • Art Taipei 2023
    • Art Taipei 2022
    • Taipei Dangdai 2020
    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
  • CV
  • Contact