ANA MARIA MICU
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​a preparation for what ... creatures, 2024, acrylic on canvas, 56 x 84 cm.

​The Echinopsis cactus depicted in this work is a plant which blooms only last a day. They flower during the night and by noon they start to slowly wilt. But each year, a healthy plant that gets enough light might bloom more than once. Guided by her gardening experience, the artist decided this year to use some of the time she has at her disposal accompanied by these spectacular flowers to arrange a temporary placement of the container, away from the usual spot where the plant lives, that would support a poetic narrative. This action has an immoral undercurrent to it. The plant could not possibly thrive in such a location. At the same time, the flowers wilt more rapidly if exposed to the full sun that the cactus normally enjoys. Here the staged scene speaks of a hiding place. The plant is protected and kept safe in a clothes cabinet, very much human or animal-like in what we might imagine her fears are.
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go back to ​​Works on canvas 2023 - 2024 ⮕
  • Works
    • On canvas >
      • 2025
      • 2023 - 2024
      • 2021 - 2022
      • 2019 - 2020
      • 2017 - 2018
      • 2015 - 2016
      • 2011 - 2013
      • 2009 - 2010
      • 2007 - 2008
    • On Paper >
      • 2025
      • 2022
      • What Hurts the Most Is Left for Last
      • The Apprentice with no Sorcerer
      • Sketchbook
    • Animations
    • Serigraphy
    • Videos
  • Projects
    • SOLO EXHIBITIONS >
      • Soul, Air, Animal
      • Woman, Scaffolding
      • This Is Not an Artspace
      • Left Hand To Distant View
      • Objects Must Be Comfortable
      • A Picture on the Wall
      • Self-portrait with Indoor Plant
      • Tender Heart, Keep Still!
    • DUO EXHIBITIONS >
      • Speaking About the Unknown
      • A Conscious Choice for Temporary Blindness
      • Understatement
      • Abstract Circle
    • COLLECTIVE EXHIBITIONS
    • Visiting Artist >
      • Visiting Artist at National Tsing Hua University
    • RESIDENCIES >
      • The Insufficiency of Self
      • ​Can Serrat Art Residency
      • Production as Tableau Vivant
      • How to Mend Unbroken Things
    • OTHERS >
      • Eminescu Days
      • Scenography for Painting
      • The Wall Watcher
      • Freehand Digital Drawing Documented by Real-time Video Screen Capturing
      • Changing Background
      • Image Search
      • The Presentation
  • Publications
    • Touch Nature
    • PULS 20 – New Entries in the MNAC Collection
    • THE TWIST. Five Provincial Stories from an Empire
    • The other face of the world
    • (c​)​ovid's metamorphoses
    • Ana Maria Micu. Left Hand To Distant View
    • Ana Maria Micu
    • 500 Portraits
  • Art Fairs
    • Art Basel Hong Kong 2025
    • Frieze Seoul 2024
    • Art Taipei 2023
    • Art Taipei 2022
    • Taipei Dangdai 2020
    • Art Fair Philippines 2020
    • Art Fair Philippines 2019
    • Art Düsseldorf 2018
  • CV
  • Contact